Television has been anticipating a woman president for years.  In “Madam Secretary” Elizabeth McCord (Téa Leoni) rose to a vice-presidential candidate; in “The Veep,” Julia Louis-Dreyfus’s character succeeded to the presidency; on “Scandal,” a powerful Washington crisis-manager (Kerry Washington) is also the president’s confidante.  The skits on the satirical “Saturday Night Live” played Hillary … Continue reading →

I’m lying on my new acupuncturist’s table and she’s taking my pulse for the third time when she tells me, “You’re on the veranda.” How’s that? “You’re not sick, but you’re not well, either.” OH in so many ways, lady. The rejection letter that told me I scored very well with readers but not just … Continue reading →

As Director of Labor Relations for the Broadway League, Producer Elizabeth McCann and I used to joke during negotiation sessions we would know  we “made it” when the day came we would clinch a deal while in the ladies room! The male negotiators would always emerge from the men’s room proudly  announcing they “sealed a … Continue reading →

Unless you’ve been hiding under a rock (beneath the root of a tree, at the bottom of the ocean), you know that sexual harassment in the workplace has been a topic in the news lately. What performers and other theatre professionals may tend to forget is that while they are artists, they are also “acting” … Continue reading →

What does it mean to describe a play as feminist? What are you looking for when you put out a call for feminist scripts? This is the second in a series exploring possible answers from different angles. What is: too often, women are not assessed as fully human people. What should be: our humanity and personhood should … Continue reading →