by Martine Sainvil American audiences don’t get access to many contemporary plays originally written in another language despite the burgeoning number of talented playwrights in the US and around the world who are creating work for the stage in languages other than English. Traditionally, classic European plays such as those written by Moliere, Henrik Ibsen …
Applause Books, November 2021. Pages: 408 Cover photo: Merri Cyr A woman of the Theater takes on the patriachs and carves out her place. By Kate McLeod and Martine Sainvil Playwright, Stage Director, Producer, Artist are just a few titles that Tony®, Drama Desk, and Obie Award-winning Emily Mann has earned over her long career. …
Lue Morgan Douthit, longtime director of literary development at the Oregon Shakespeare Festival (OSF), commissioned a translation of Shakespeare’s Timon of Athens into contemporary modern English in the fall of 2015, beginning OSF’s Play On! project. With the Bard still continuously the most-produced playwright in America, one purpose of the project was to ask why …
“From the time I was about twelve, I never stopped acting. Acting is my business.” “If you’re going to play a character other than yourself, it’s better that you bring that character to the first rehearsal…You have to leave yourself at home… When I’m immersed in a scene, I leave Angela at home.” “I’d like …
“A great actor at the height of her powers.”
On February 12th, Ms. Lee was the subject of the League of Professional Theatre Women’s Oral History at the Library for the Performing Arts at Lincoln Center. Robert Viagas conducted the interview. Baayork Lee has performed in over a dozen Broadway shows. For the original production of A Chorus Line, she created the role of Connie, while serving as …
The purpose of theatre is to wound our memory. — Paula Vogel Paula Vogel, Tony-nominated playwright for Indecent, was interviewed by Linda Winer, in an Oral History presented to League members and their guests at the NY Library for the …
by Alexis Greene Hrotsvitha and Alice Childress; Rachilde and Zora Neale Hurston; Ana Caro and Mrs. Harlow Phibbs. They lived centuries and continents apart, but they shared two enticing characteristics: they were women and they were playwrights. And now they are among the 250 dramatists who constitute “ON HER SHOULDERS: Celebrating 1,000 Years of … Continue reading
In a world filled with anxiety and fear due to the ongoing pandemic, as theatres remained shuttered and the future seemed uncertain, a group of women from all over the world started an online project. These women met virtually during the League of Professional Theatre Women’s Gilder/Coigney International Theatre Award 2020 event week. Initiated and … Continue reading
A historic pandemic could not derail The League of Professional Theatre Women’s ongoing Oral History Project. The League of Professional Theatre Women’s ongoing Oral History Project, founded by Betty Corwin in partnership with the New York Public Library for the Performing Arts, has for 26 years preserved the legacies of great theatre women, across all … Continue reading
When the news hit in the spring that theatres in New York were going to be shut down, I–like many of my fellow theatre-makers–was devastated. Our movement company, 10C, had been developing our third science-based piece throughout the fall and winter of 2019 and the quarantine felt like we drove 50 mph into a wall. … Continue reading
Thousands of years of history can put a novo-virus in perspective. Continue reading
ARTISTS and THOSE WHO WANT TO SUPPORT ARTISTS: If you are struggling to make ends meet in these unsettled times, here are some useful resources. If you have means, here are some ideas about where your dollars will directly help your community. https://actorsfund.org/am-i-eligible-help https://dgf.org/donate/donate/ https://www.theatreartlife.com/management/coronavirus-gig-cancellations/ Add additional resources in the comment section. Stay safe. Spring … Continue reading
Photo Essay “From the time I was about twelve, I never stopped acting. Acting is my business.” “If you’re going to play a character other than yourself, it’s better that you bring that character to the first rehearsal…You have to leave yourself at home… When I’m immersed in a scene, I leave Angela at home.” … Continue reading
This article is part of an ongoing partnership between HowlRound Theatre Commons and WIT Journal online. Michaela Goldhaber, current artistic director of Wry Crips, talks to the founding and early members of the disabled women’s theatre group about their history. For thirty-four years, Wry Crips Disabled Women’s Theatre Group in Berkeley, California, has been helping women … Continue reading
Augie, Bellow, Frankenstein and Me In 1964 I returned with my family from Kampala, Uganda, where we had lived for two years, and was hired by Saul Bellow to read, answer and categorize some of the letters he received in response to that most epistolary of novels, Herzog. It was Bellow’s second big commercial success, … Continue reading
Tovah Feldshuh met up with theater critic Linda Winer at the LPTW Oral History series, New York Library of the Performing Arts at Lincoln Center — May 6, 2019, for an intimate conversation with League members and a standing room only audience. “When I asked my mother if I could go to Julliard, she said … Continue reading
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