Lue Morgan Douthit, longtime director of literary development at the Oregon Shakespeare Festival (OSF), commissioned a translation of Shakespeare’s Timon of Athens into contemporary modern English in the fall of 2015, beginning OSF’s Play On! project. With the Bard still continuously the most-produced playwright in America, one purpose of the project was to ask why … Continue reading
Photo Essay “From the time I was about twelve, I never stopped acting. Acting is my business.” “If you’re going to play a character other than yourself, it’s better that you bring that character to the first rehearsal…You have to leave yourself at home… When I’m immersed in a scene, I leave Angela at home.” … Continue reading
This article is part of an ongoing partnership between HowlRound Theatre Commons and WIT Journal online. Michaela Goldhaber, current artistic director of Wry Crips, talks to the founding and early members of the disabled women’s theatre group about their history. For thirty-four years, Wry Crips Disabled Women’s Theatre Group in Berkeley, California, has been helping women … Continue reading
Few thrills are comparable to watching the November wave of highly qualified women winning seats in federal and state governments. A Navy pilot, a woman who began her studies in a community college on the reservation, young mothers, and a former CIA officer – these candidates came in all shapes and sizes. Is it … Continue reading
The first known appearance of the story of Robin Hood with most of its familiar elements (stealing from the rich and giving to the poor; Sherwood Forest; evil sheriff; band of Merry Men) can be found in a mid-fifteenth-century English ballad. The origins of the myth itself date back to the 1300s. The tale transcends … Continue reading
Accepting the third Gilder/Coigney International Theatre Award, Adelheid Roosen addressed a full auditorium at CUNY Grad Center, Elebash Recital Hall, hosted by the Martin E. Segal Theatre Center the 23th of October 2017 Welcome, feel at home and I hope your chair feels like a birds nest. First of all I want to thank the … Continue reading
Television has been anticipating a woman president for years. In “Madam Secretary” Elizabeth McCord (Téa Leoni) rose to a vice-presidential candidate; in “The Veep,” Julia Louis-Dreyfus’s character succeeded to the presidency; on “Scandal,” a powerful Washington crisis-manager (Kerry Washington) is also the president’s confidante. The skits on the satirical “Saturday Night Live” played Hillary … Continue reading
