A historic pandemic could not derail The League of Professional Theatre Women’s ongoing Oral History Project. The League of Professional Theatre Women’s ongoing Oral History Project, founded by Betty Corwin in partnership with the New York Public Library for the Performing Arts, has for 26 years preserved the legacies of great theatre women, across all … Continue reading
Author Archives: LPTWAdmin
Using ZOOM to Create Theatre by Suzanne Willett
When the news hit in the spring that theatres in New York were going to be shut down, I–like many of my fellow theatre-makers–was devastated. Our movement company, 10C, had been developing our third science-based piece throughout the fall and winter of 2019 and the quarantine felt like we drove 50 mph into a wall. … Continue reading
THOUGHTS ON THEATER AND PANDEMIC by Melody Brooks
Thousands of years of history can put a novo-virus in perspective. Continue reading
Resources for Theatre Women
ARTISTS and THOSE WHO WANT TO SUPPORT ARTISTS: If you are struggling to make ends meet in these unsettled times, here are some useful resources. If you have means, here are some ideas about where your dollars will directly help your community. https://actorsfund.org/am-i-eligible-help https://dgf.org/donate/donate/ https://www.theatreartlife.com/management/coronavirus-gig-cancellations/ Add additional resources in the comment section. Stay safe. Spring … Continue reading
Translating the Bard: What Does a Modern Shakespeare Look Like? By Loren Noveck
Lue Morgan Douthit, longtime director of literary development at the Oregon Shakespeare Festival (OSF), commissioned a translation of Shakespeare’s Timon of Athens into contemporary modern English in the fall of 2015, beginning OSF’s Play On! project. With the Bard still continuously the most-produced playwright in America, one purpose of the project was to ask why … Continue reading
The Legendary Angela Lansbury inspires an SRO House at Lincoln Center
Photo Essay “From the time I was about twelve, I never stopped acting. Acting is my business.” “If you’re going to play a character other than yourself, it’s better that you bring that character to the first rehearsal…You have to leave yourself at home… When I’m immersed in a scene, I leave Angela at home.” … Continue reading
Standing Room Only for Angela Lansbury
“From the time I was about twelve, I never stopped acting. Acting is my business.” “If you’re going to play a character other than yourself, it’s better that you bring that character to the first rehearsal…You have to leave yourself at home… When I’m immersed in a scene, I leave Angela at home.” “I’d like … Continue reading
Models and Mentors: A History of the Wry Crips Disabled Women’s Theatre Group by Michaela Goldhaber as told by the Company’s Founders
This article is part of an ongoing partnership between HowlRound Theatre Commons and WIT Journal online. Michaela Goldhaber, current artistic director of Wry Crips, talks to the founding and early members of the disabled women’s theatre group about their history. For thirty-four years, Wry Crips Disabled Women’s Theatre Group in Berkeley, California, has been helping women … Continue reading
Leigh Bienen Considers Adaptation in Chicago
Augie, Bellow, Frankenstein and Me In 1964 I returned with my family from Kampala, Uganda, where we had lived for two years, and was hired by Saul Bellow to read, answer and categorize some of the letters he received in response to that most epistolary of novels, Herzog. It was Bellow’s second big commercial success, … Continue reading
Tovah Feldshuh Shines at the Last Oral History Program of the Season
Tovah Feldshuh met up with theater critic Linda Winer at the LPTW Oral History series, New York Library of the Performing Arts at Lincoln Center — May 6, 2019, for an intimate conversation with League members and a standing room only audience. “When I asked my mother if I could go to Julliard, she said … Continue reading