Applause Books, November 2021. Pages: 408 Cover photo: Merri Cyr A woman of the Theater takes on the patriachs and carves out her place. By Kate McLeod and Martine Sainvil Playwright, Stage Director, Producer, Artist are just a few titles that Tony®, Drama Desk, and Obie Award-winning Emily Mann has earned over her long career. … Continue reading
In a world filled with anxiety and fear due to the ongoing pandemic, as theatres remained shuttered and the future seemed uncertain, a group of women from all over the world started an online project. These women met virtually during the League of Professional Theatre Women’s Gilder/Coigney International Theatre Award 2020 event week. Initiated and … Continue reading
A historic pandemic could not derail The League of Professional Theatre Women’s ongoing Oral History Project. The League of Professional Theatre Women’s ongoing Oral History Project, founded by Betty Corwin in partnership with the New York Public Library for the Performing Arts, has for 26 years preserved the legacies of great theatre women, across all … Continue reading
When the news hit in the spring that theatres in New York were going to be shut down, I–like many of my fellow theatre-makers–was devastated. Our movement company, 10C, had been developing our third science-based piece throughout the fall and winter of 2019 and the quarantine felt like we drove 50 mph into a wall. … Continue reading
Thousands of years of history can put a novo-virus in perspective. Continue reading
ARTISTS and THOSE WHO WANT TO SUPPORT ARTISTS: If you are struggling to make ends meet in these unsettled times, here are some useful resources. If you have means, here are some ideas about where your dollars will directly help your community. https://actorsfund.org/am-i-eligible-help https://dgf.org/donate/donate/ https://www.theatreartlife.com/management/coronavirus-gig-cancellations/ Add additional resources in the comment section. Stay safe. Spring … Continue reading
Lue Morgan Douthit, longtime director of literary development at the Oregon Shakespeare Festival (OSF), commissioned a translation of Shakespeare’s Timon of Athens into contemporary modern English in the fall of 2015, beginning OSF’s Play On! project. With the Bard still continuously the most-produced playwright in America, one purpose of the project was to ask why … Continue reading
Photo Essay “From the time I was about twelve, I never stopped acting. Acting is my business.” “If you’re going to play a character other than yourself, it’s better that you bring that character to the first rehearsal…You have to leave yourself at home… When I’m immersed in a scene, I leave Angela at home.” … Continue reading
“From the time I was about twelve, I never stopped acting. Acting is my business.” “If you’re going to play a character other than yourself, it’s better that you bring that character to the first rehearsal…You have to leave yourself at home… When I’m immersed in a scene, I leave Angela at home.” “I’d like … Continue reading
This article is part of an ongoing partnership between HowlRound Theatre Commons and WIT Journal online. Michaela Goldhaber, current artistic director of Wry Crips, talks to the founding and early members of the disabled women’s theatre group about their history. For thirty-four years, Wry Crips Disabled Women’s Theatre Group in Berkeley, California, has been helping women … Continue reading
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