Lue Morgan Douthit, longtime director of literary development at the Oregon Shakespeare Festival (OSF), commissioned a translation of Shakespeare’s Timon of Athens into contemporary modern English in the fall of 2015, beginning OSF’s Play On! project. With the Bard still continuously the most-produced playwright in America, one purpose of the project was to ask why … Continue reading
Photo Essay “From the time I was about twelve, I never stopped acting. Acting is my business.” “If you’re going to play a character other than yourself, it’s better that you bring that character to the first rehearsal…You have to leave yourself at home… When I’m immersed in a scene, I leave Angela at home.” … Continue reading
“From the time I was about twelve, I never stopped acting. Acting is my business.” “If you’re going to play a character other than yourself, it’s better that you bring that character to the first rehearsal…You have to leave yourself at home… When I’m immersed in a scene, I leave Angela at home.” “I’d like … Continue reading
This article is part of an ongoing partnership between HowlRound Theatre Commons and WIT Journal online. Michaela Goldhaber, current artistic director of Wry Crips, talks to the founding and early members of the disabled women’s theatre group about their history. For thirty-four years, Wry Crips Disabled Women’s Theatre Group in Berkeley, California, has been helping women … Continue reading
Augie, Bellow, Frankenstein and Me In 1964 I returned with my family from Kampala, Uganda, where we had lived for two years, and was hired by Saul Bellow to read, answer and categorize some of the letters he received in response to that most epistolary of novels, Herzog. It was Bellow’s second big commercial success, … Continue reading
Tovah Feldshuh met up with theater critic Linda Winer at the LPTW Oral History series, New York Library of the Performing Arts at Lincoln Center — May 6, 2019, for an intimate conversation with League members and a standing room only audience. “When I asked my mother if I could go to Julliard, she said … Continue reading
“The Game — can we continue with it?” is a question posed in The Maids, an absurdist play by Jean Genet which opened March 2019 by The Seeing Place Theater in their East 4th street theater. This question is not so remotely detached from the current complicity confronting both American and global citizens. Pretending to strangle … Continue reading
